One of the most marketable and best features of Final Cut Server is that it is a way to catalog assets. These assets can be stored anywhere you want, provided that they are reliably accessible by the server. Given a username and password, users of Final Cut Server can then access the assets whether or not they can actually get to them using server shares or flat file systems. This allows Final Cut Server to bring logic to an otherwise chaotic form of storing data.

Once catalogued you can then tag assets with metadata. This means that when you go to find assets in the future you can do so quickly and easily. You can preview, annotate and then download those assets, no matter where they are stored – even on a Drobo or some large Firewire media sets. And if you decide to edit-in-place in the future, the fact that assets are stored in a logical space (called a Device) means that if you see the value, that you have an easy upgrade into more online media, such as an Xsan volume – but you don’t have to do it all at once to start seeing value.

And value is the key aspect of Final Cut Server. You can spend as much or as little as you need in order to get value out of the product. Sometimes the smallest features are what organizations will derive the most value out of. Not always, but sometimes… And when you see the value of the smaller features you can then make a decision based on your organizations goals and workflows what else will be of value. If you’d like to discuss a Final Cut Server implementation, whether it’s the basic initial installation, complicated workflow integration or custom scripting, contact 318 for more information. We’re here to help, whether or not the implementation is on the cheap.

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